Shortly after Alice Munro’s death in 2024, a family history of child sexual abuse and silence was revealed by the Nobel laureate’s daughter, Andrea Robin Skinner. A year later, fiction writers from her home country reflect on the life and suddenly contentious legacy of an artist once described by New Yorker critic James Wood as “our Chekhov.” In what ways have they been influenced by her portrayals of domestic lives and Canada? Can they continue to read and teach her writing? And if so, how?